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INTERVIEW: Matt Brandon PDF Print E-mail
Written by SuperHypersonic   
Tuesday, 15 July 2008 10:53

 Matt brandon

A picture they say is worth a thousand words. Photography and traveling are deeply interwined, but it takes special skill to not just capture a memory but also the soul,the moment.A good picture tells a story, and this is the belief also suported by Mr.Matt Brandon ,who has a special eye for  portraits of people set in their natural environment.
Meet Mr.Brandon ,photographer , in our interview with him.
Matt’s photographic pursuits have taken him to India, Indonesia, Thailand, Maldives, Philippines and Malaysia.And he has lived in India for 13 years! He has lived in Kashmir, documented the Gujjars extensively ,worked for NGOs and also has published two books.

Read on for more details  from Mr.Brandon [MB] in the interview taken by SuperHypersonic.

 

1. What initially motivated you to take up photography?

MB:I think I get my ability to tell a visual story from my father. He was an oil painter and a hobbyist photographer. He bought me my first few cameras as I was growing up and I was hooked. Later dad and I used to develop photos together in a darkroom we built under our stairs. I shot a lot of pictures growing up but it was costly. When I moved to India in 1994, I put the camera away as there were not that many labs that processed Kodachrome and that was what I shot back then. But once I got my hands on a DSLR, I was hooked and it was all over. There was no turning back.

2. How in your opinion traveling influences the art of photography?

MB:I think traveling has had a significant influence in photography over the past 10 to 15 years. The fact that people can travel more, longer and further is a huge factor. People are going places today that were once thought only accessible by National Geographic Photographers or highly funded adventurists. It used to be that a unique image was good enough, now very little is unique so an image has to be exceptional. It needs to tell a story, communicate the vision of the photographer.There are a lot fewer barriers today for a traveling photographer than 15 years ago.Almost everyone has a digital camera and a photo lab in their computer. All these things have had a huge impact on photography today.
Not all of it is good. We have a lot of people obsessed with technology and gadgets and not as many concerned with vision and value in an image. A lot of pictures are being taken and posted on the web, but many tell no story, they do not communicate.These photographers have never cultivated his or her vision.


3. Your documentation of Kashmir is unique in capturing the soul of the place rather than the oft-reported violence. What motivated you to present the humane side of the place?

MB:There are so many photographers covering the conflict in Kashmir and doing a much better job than I could. I look at the work of Ami Vitale and am moved to tears. Her work is amazing, so why should I cover what is already being done so exceptionally well? I have always felt I wanted to show a compassionate side of the Kashmiri and Gujjar people. I am from the US and over the past few years since 911, many people in the West have developed a negative view of Muslims. I have lived with Muslims for many years and see them as kind, compassionate and loving people and I want to break down these stereotypes where I can. I see my images as a sort of visual bridge between our cultures.

4. Tell us something about your work with NGOs.

MB:I was fortunate to be in Kashmir during the earthquake. Within hours after the quake, a good friend of mine who runs Partner Aide International, India, Titus Gall, asked me to go with him to survey the needs. Needless to say, there were many. I think it was that night, maybe the next, he literally had a dream about a simple and effective shelter design.  He called me the next morning and I was able to document what was the beginning of one of the most used shelters in the relief effort on both sides of the earthquake zones, India and Pakistan. I documented PAI, World Vision and many other agencies using that shelter all over Kashmir.
In the US, I have been able to shoot for NeighborWorks, a growing NGO that has attracted the attention of the folks in the US Capital. They do some amazing work in lower income neighborhoods. They renovate homes of people that otherwise would never be able to afford it. They get most of the labor to renovate from the neighborhood around the project. It is a great way to help people and still maintain their dignity. My work with NGOs is really just getting off the ground. I really love it and would love to do more, it's just a matter of getting my name known and being available. Most of the large international NGOs have work all over Asia and so this is why I chose to live in Penang, Malaysia, so I could be available and travel would be less expensive.


5. You have also documented the Gujjars, any interesting anecdote from that experience?

MB:I love these people. I have spent hours and hours with them. I have many old friends among them from years back. Over the past few years in the Lidderwat Valley in Kashmir, the Gujjars in that area have begun to call me "their photographer" .Now it is hard for me to enter that valley and not take photos of them, they expect it. I was actually asked by one of the Gujjar leaders back in 1989 to "exploit them". Now, in American English the word "exploit" has bad connotations. It means to take advantage of them and make money off them. But what he meant was make them known to the world. To be honest, I think I may have done a little of both. I think more people know about Gujjars from my websites, galleries and books and I have probably made a few dollars off an image or two, but not much.

gujjars


6. You also speak  Urdu and Hindi. Does it make it easier to connect with your subjects in Asia?

MB:I do speak Urdu and Hindi, though not fluently. Yes, it does help me connect with my subjects in the Northern Subcontinent. But more importantly, it helps me understand my subject more. When you learn a language you  learn a lot about the culture as well. So I feel very strongly that a photographer needs to be very respectful and compassionate towards the subjects s/he photographs. Knowing a good amount of Urdu has helped me do that.

7. Usually Southern India is documented in books and photo-journals. How did you decide to capture Northern India in your
book 'Catchlight'? Also what is the significance of the title?

MB:Catchlight is a compilation of images I shot over the years in Kashmir and Delhi. Many of the images were also taken on a workshop Lumen Dei that I conduct with another photographer, David DuChemin.It was a simple matter of using what I had.I have lived in North India and as a result that is where I had taken most of my images.
The title "Catchlight" comes from a term used in photography. It is the light that a photographer wants to catch in the eyes of his subject. Usually it is a white sky or a light colored building reflecting in the eyes. A portrait with a catchlight comes alive. Without it the image feels flat and the subject lacks "life".  I work hard at getting this light in the eyes of my subjects because I want them to have life and speak to those who see the images. I really wanted this book to do the same thing, I wanted these images to come alive and step out of the pages.
 By the way, I would love to spend time in the South, I just need an excuse to get down there.

8. Your new book "Kashmir, Mystery" is recently released. Tell us something about it.

MB:This book was not my book originally. It really evolved into my book.  At first, Mr.Bahri,the publisher asked me if I could contribute some images to a book on Kashmir that would help tell people that normal life has returned to Kashmir. I told him
that I wasn't sure what normal life in Kashmir was. I had lived there all through the violence and it was all pretty normal to me. But if he wanted to tell the story of the Valley and of the people with images and maybe tell some antidotes, could I help? So I submitted a few images and Mr. Bahri,liked them so much he asked me if we could do the whole book based around my images. I thought about it for all of 3 seconds and said, "Well I suppose it would be ok." Like I would even consider turning down a book deal! The book took a long time to arrive. We had a hard time agreeing on the text. They had the old text of the book before it was mine and I didn't like it. He asked if I would write something, but I am not a writer. So Barhi found
Miriam Rishi and we hit it off right away. Miriam is a great story teller. She has a real love for Kashmir and I guess she really liked my images, because she put her whole heart into this project. We work well together. The irony in all this is that the text almost follows my tour I used to lead, story by story. So I think this is another reason my images and her words work so well together.

9. Tell us something about your experience in India and with the people.

MB:I love India, it was my home for 13 years. It remains a photographer's paradise. The people are beautiful and easy to photograph. Nothing remains the same, change is constant. I can shoot the same bazaar for six days straight & get new fresh images each day,like it's a new place every day.

10.Which are your favorite destinations?

MB:My forte is photographing people. I love faces. But the best is when I can get a great face in a great place.  So I love to shoot places like the Nizamudeen Darga in Delhi or almost any Muslim shrine in Kashmir. I really love shooting Islamic
shrines, because there are so many stories being lived out right in front of me. People stretched out praying and pleading to God to listen to their struggles, ladies weeping and kissing a tomb. The flowers and offerings tossed about, the small
strings tied to the jollies ignifying a promise made to the saint. All these things come together for some great images.

 

11. What is your advice to aspiring photographers?

MB:Cultivate your vision. Work on what you are trying to communicate. Go out and shoot and keep shooting, it is free! Go out and make some mistakes and learn! Use your digital camera to its full extent. Also, use the web. I have learned more about photography over the web than I ever did in a classroom in college.

 

Note: Photographs by Matt Brandon

Check out Matt's personal page :thedigitaltrekker.com

For details on "Catchlight" , read this.

 

 
INTERVIEW : Mr.Mohan Alembath [Conservation of Nilgiri Tahr] PDF Print E-mail
Written by SuperHypersonic   
Sunday, 06 July 2008 10:52

Nilgiri tahr

 

Hello travelers!

We at Duniya Gol Hai believe in responsible traveling very passionately. And as a part of that belief, we present our first interview to you.

 

Meet Mr.Mohan Alembath, a noted wildlife conservationist, who shares his experience with us about the conservation of the Nilgiri Tahr. The Nilgiri Tahr ungulate is native to the Nilgiri Hills and the southern part of the Western Ghats range in Tamil Nadu and Kerala states of southernmost India. SuperHypersonic from Duniya Gol Hai interviewed Mr.Alembath.He talks about his work with the Nilgiri Tahr since almost three decades, his first encounter with the Nilgiri Tahr, the impact of the forest act, Eravikulam National Park, World Congress on Mountain Ungulates ,the challenges and threats to this endangered species due to ecological imbalances and climatic changes.

He told us about the Nature Education Classes conducted by Forest department, which can be a great way to learn about the wildlife. Duniya Gol Hai thanks Mr.Alembath for sharing his knowledge with us and for his time.

 

Read on to know more about his work, about the Nilgiri Tahr and Mr.Alembath's advice to travelers to forest areas and National parks.

1. When and why did you start working for the cause of Nilgiri Tahr conservation?

Mr.Alembath:I first started working for Nilgiri Tahr in 1981. I was posted as Assistant wildlife warden of Eravikulam National Park. I was young and raring to go. I specifically asked for this posting as I love mountain country and its magnificent inhabitants like Nilgiri Tahr. Poaching was not an unheard of thing in those days. I liked challenges and was determined to face poachers head on. Those days getting a wildlife posting was easy. There were very few takers for the job. You would be surprised to know that wildlife posting was considered as a punishment posting in those unenlightened days. I worked hand in hand with High Range wildlife and Environment Preservation society a wildlife society populated by Tata Tea employees of Munnar. The local Muduvan tribals whose knowledge of the Tahr terrain is amazing were always at hand to guide me. I learned a lot about Nilgiri Tahr and its habitat from those magnificent tribals.

2. What distinguishes Nilgiri Tahr from the Himalayan/Arabian Tahr?

Mr.Alembath: Nilgiri Tahr ( Hemitragus hylocrius) is the largest of the three species and is found on the Western Ghats of Kerala and Tamil Nadu. Himalyan Tahr (hemitragus jemlahicus) is found in the Himalayas and sometimes looks larger than Nilgiri Tahr because of its pelage. This thick coat is nature’s strategy to counter cold conditions of Himalyas. Arabian tahr(Hemitragus jayakiri) is found in the sultanate of Oman and Hajar mountains in UAE. While Nilgiri Tahr and Himalayan Tahr lives in small to medium herds Arabian Tahr is solitary or lives in very small groups consisting of a female and a kid, or a male.

3. How was it to see a Nilgiri Tahr for the first time?

Mr.Alembath: My first view of Nilgiri Tahr had an almost mystical quality about it. I was hiking up a steep slope in a completely mist laden terrain of Munnar. It was early morning and as the mist lifted for a very brief span, smack in front of me was this imposing full grown adult male Tahr with mist swirling around him. I stood transfixed. I don’t know who was more surprised me or the Tahr. It bolted down the steep cliffs, but the view is still etched in my memory.

4. What are the prominent changes in the ecosystem that have further affected the Nilgiri Tahr population?

Mr.Alembath: The loss of habitat is the biggest setback faced in the conservation of Nilgiri Tahr. The forest departments of Kerala and Tamil Nadu, in the early unenlightened days used to treat grass lands as waste lands. Eucalyptus and wattle were planted depriving prime Tahr habitat. Poaching also has played its part in the decline of population. Inexorable pressure of rising population has a deleterious effect. In the politician’s mind the need of the people overrides the needs of the denizens of the wild.

5. Also, the recent climatic changes that are observed around the world, what impact it has had on the Tahr?

Mr.Alembath: The pattern of rain has become erratic. Rutting in Nilgiri Tahr is intimately related to the monsoon. Although it is too early to come to firm conclusions we have danger signals. The birth of Nilgiri Tahr which used to occur with clockwork precision in the first week of January is getting delayed. Last year it was late by 2 weeks. This year the delay was one month. The percentage of recruitment of young ones has also come down. It used to be around 20%. Last year it was 8%.

6. What are your views on the Indian Forest Rights Act?

Mr.Alembath: The act has been passed by the parliament and is a fait accompli. I have absolutely no objections about giving the tribals what is their due but the act has some disturbing provisions. For example admitting the claims of ‘other traditional forest dwellers’ on the basis of physical Attributes/traditional structures/pictures would certainly lead to wide abuse. If an area is to be declared as critical wildlife habitat, the consent of the individuals as well as Gram Sabha will be required at almost every stage from relocation to acceptance of the relocation package. But alas, if the same area is to be opened up for mining or construction of a hydel power project or any other "developmental work", no such consent will be required. All that will be required is a public hearing. This is going to be misused conveniently.

The act seeks to shift forest / wildlife management from the Forest Department to Gram Sabhas but capacity building has not been specified and is not a priority item anywhere. This may throw existing forest and wildlife management in to doldrums. With all its short comings the act is here to stay. The prudent course now is to learn to live with this fait accompli. While espousing the cause of the tribals the act also does emphasis the point that the forests belongs primarily to wildlife even though the interests of the mainstream society gets a back seat. The Act very specifically says the right holders have the fundamental duty to protect and conserve the forest. While the act lays emphasis on critical wildlife habitat in extant national parks and sanctuaries it does not prevent us from creating new sanctuaries and national parks and identify new critical wildlife areas that remain inviolate. Right now many of our protected areas have been designated not purely on scientific considerations. Many extraneous considerations have gone in to the declaration. The time has come to do fresh delineations based on purely scientific considerations against the backdrop of the act. The mandate given to Gram Sabhas in the act is saddled with huge responsibilities. It is here that the conservationists can chip in, hand in hand with forest department, to strengthen the Gram Sabha machinery so that the whole process evolves as a people’s movement with total transparency.

The time to act is short and we are at a turning point. If sagaciously utilized the present opportunity can bring in new dimensions of management that takes care of the needs of the tribals.

7. What work has been done at Eravikulam National Park, which has the largest surviving population of the Nilgiri Tahr?

Mr.Alembath: The first detailed study of the ecology and behavior of Nilgiri Tahr was done in Eravikulam National Park by Dr Clifford G Rice from US. This study is still our bench mark for conservation of Nilgiri Tahr. The census technique for Nilgiri Tahr evolved in Eravikulam National Park over the years has been adopted for other Tahr areas also. This method is a modification of the famous King’s method of census. Eravikulam also has the distinction where corporate house (Tata Tea) and tribals(Muduvans) also worked hand in hand with forest department in the evolution of proper management techniques for Nilgiri Tahr.

 

8. What impact did World Congress on Mountain Ungulates [2006] have, after being held for the first time in Asia at Munnar, the home of the endangered Nilgri Tahr?

Mr.Alembath :The meeting was attended by legendary wildlife biologist Dr George B Schaller who was the first to do a short study of Nilgiri Tahr. Dr Rice who did a detailed 3 year study of ecology and behavior of Nilgiri Tahr was also there. Other world renowned Caprinae scientists headed by Dr Marco Fests Bianchet, head of the Caprinae specialist group of IUCN also attended the meet. The event gave an opportunity to Indian park managers and wildlife biologists to interact with the best in the world. It was a very rare opportunity that does not come often.The delegates of the conference also came up with a set of recommendations for the conservation of Nilgiri Tahr which are being actively pursued.

9. What role do the government and the Forest department have played in supporting this cause?

Mr.Alembath: The forest department chipped in with logistic support for the conference. The forest minister and the chief wildlife warden of Kerala were active participants. The proposals mooted by the delegates of the conference are being synchronized in to the management prescriptions of the Tahr areas. Both Kerala and Tamil Nadu are taking necessary steps to protect the habitat of the endangered Nilgiri Tahr. Nilgiri Tahr is the state animal of Tamil Nadu.

10. What are main challenges in the Conservation process?

Mr.Alembath: The rise in population around Nilgiri Tahr areas is a big challenge. As the needs of the populace rise pressure on the now pristine inviolate areas is bound to go up. A new strategy in conservation in which local population has a say and becomes an active participants in conservation needs to be developed. The expertise of social scientists is also required to fine tune this process and put it in to practice.

11. How can people support this cause? Also how can the people visiting Eravikulam or Periyar national parks gain more awareness about this endangered species?

Mr.Alembath: The forest department conducts nature education classes in the reserves. Attending one is a great learning experience. It gives you the pulse of the local conservation works. Donate books for the conservation education. Go on hikes and other conservation related activities promoted by the tribals and local inhabitants. Chip in with a contribution to the local eco-development committees if possible. Buy the products made by local artisans living around the reserves. If you have a better idea to improve the living standards of the tribals and other stake holders of the park pass it on to the authorities.

 

12. How would you advise travelers to be more responsible to the natural surroundings and the wildlife?

Mr.Alembath: Respect the wilderness. Respect the rules of the park.

You are barging in to the habitat of wild animals. You are the intruder. Do not talk loudly. If you have to talk, talk in whispers. Do not throw litter around. Do not use plastic. Do not try to feed wild animals. If possible wild animals should be approached at an oblique angle rather than head on. Head on usually represent a threat. Do not pursue animals showing avoidance tactics or those that are running/swimming/flying. Walk along designated paths only. It has been proved by scientific studies that vegetation trampled by tourists take at least 20 years to get back to a semblance of original vegetation in areas like Munnar.

A trip to areas like Eravikulam should become a learning experience. Try to understand the importance of the flagship species of the mountain ecosystem.

Eravikulam National Park is a great place to learn about corporate and community involvement in conservation. You will be delighted to learn how the community helps in conservation and in turn how they benefits from conservation works.
 
Lesson Learnt PDF Print E-mail
Written by SuperHypersonic   
Thursday, 03 July 2008 10:21

I had just entered my teens when I went on a holiday to North Eastern India with my family.
It was during the summer break before high school begun. We holidayed in Assam, Sikkim, Agartala,Himachal etc . Then we spent about a week in the charming town of Darjeeling. It is a lovely hill town with fabulous views of Mount Kanchenjunga. Also a great place for adventure lovers. I had my first brush with rock climbing here.
And the love for it has grown ever more.

View of Himalays from Darjeeling

 


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 A picture they say is worth a thousand words. Photography and traveling are deeply interwined, but it takes special skill to not just capture a memory but also the soul,the moment.A good picture tells a story, and this is the belief also suported by Mr.Matt Brandon ,who has a special eye for  portraits of people set in their natural environment. Meet Mr.Brandon ,photographer , in our interview with him.Matt’s photographic pursuits have taken him to India, Indonesia, Thailand, Maldives, Philippines...

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